Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Carl Friedrich Lessing
Monastery Courtyard in the Snow

ID: 38783

Carl Friedrich Lessing Monastery Courtyard in the Snow
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Carl Friedrich Lessing Monastery Courtyard in the Snow


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Carl Friedrich Lessing

German Painter, 1808-1880,Painter, great-nephew of GOTTHOLD EPHRAIM LESSING. He studied architecture in Berlin at the Kenigliche Bau-Akademie under Karl Friedrich Schinkel, before transferring to the Kunstakademie, where he became a pupil of Wilhelm Schadow in 1825. The next year Lessing followed Schadow to Desseldorf, where the latter had been appointed Director of the Kunstakademie. Almost to the end of his career Lessing was to follow Schadow's rules for a standard series of procedures in the production of a finished work: compositional sketch, oil study, detailed model study, cartoon and underdrawing for the final painting. Without an official position, Lessing worked at the Desseldorf Akademie until 1858  Related Paintings of Carl Friedrich Lessing :. | Face had wrap done it has subscriptions of manringar and skuggmanar wonder a polarnatt in November 1893 | View of a River, Perhaps in Padua df | vallotton and missia | The Garden of Sarastro by Moonlight with Sphinx,decor for Mozart-s opera Die Zauberflote | On the Beach,Boulogne-sur-Mer |
Related Artists:
ANDREA DA FIRENZE
Italian Gothic Era Painter, ca.1343-1377
aksel jorgensen
(1883-1957)
Giovanni Boldini
1842-1931 Italian Giovanni Boldini Locations Italian painter and printmaker. He received his earliest training from his father, the painter Antonio Boldini (1799-1872). From 1858 he may have attended courses given by Girolamo Domenichini (1813-91) and Giovanni Pagliarini (?1809-78) at the Civico Ateneo di Palazzo dei Diamanti, where he assiduously copied Old Masters. At 18 he was already known in Ferrara as an accomplished portrait painter. In 1862 he went to Florence, where he sporadically attended the Scuola del Nudo at the Accademia di Belle Arti. He frequented the Caffe Michelangiolo, a meeting-place of progressive artists, where he came into contact with the MACCHIAIOLI group of artists.






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